Surfacing: The art of Louise Olsen and Stephen Ormandy

The oozing amoebic forms, fashioned from resin, that have become signature pieces from Sydney's Dinosaur Designs since the mid-1980s, always seemed to signal a desire to transform into something else. As have their City Art Institute-trained creators, Louise Olsen and Stephen Ormandy, who established the iconic brand with Liane Rossler in 1985. Now the pair's lesser-known artistic oeuvre, drawn from a shared 30-year studio practice and on display at the Newscastle Art Gallery until 17 February 2019, reveals a modernith aesthetic as seemingly simple and slippery as those early resin forms, moving from intimate and ethereal studies in watercolour and oil (Olsen) to tumescent totemic sculpture and three-dimensional collage (Ormandy).

2018 Art Basel Guide To The Best Events You Won't Easily Find

Miami�??s 2018 Art Basel festival is upon us this starting this week which just so happens to be where we live. That makes us self-proclaimed �??Art Basel Experts�?� and now it�??s time to listen up. We�??re not going to send you to anything not worthy of an �??Aspiring Gentleman�??. Take notes and fill up you 2018 Art Basel schedule wisely.

Rhys Lee: Good Boy and Kevin Bourgeois: Wall of Sound

 In these two shows gallery visitors have the opportunity to view two very different, but very gifted artists. Rhys Lee is an Australian artist in his early forties; this show examples a series of paintings based on a 1970s New York City subway cartoon, made by graffiti artist Mitch 77, of an orange Pluto (the cartoon dog) wearing white gloves and a blue bowtie. Kevin Bourgeois is a New York-based, musically oriented artist whose work here consists of record jackets assembled with pieces taken from different covers.

A Good Boy and a Wall of Sound at Olsen Gruin Gallery

There isn’t much time left to catch one of the best two-person shows on Manhattan’s Lower East Side, or more accurately, two unique, but not so disparate exhibitions; Kevin Bourgeois’ Wall of Sound and Rhys Lee’s Good Boy, both seamlessly coexisting inside Olsen Gruin Gallery and coming down Sunday, November 18th.

"Wall of Sound" by Kevin Bourgeois at Olsen Gruin, New York

Self-taught artist Kevin Bourgeois' solo exhibition, "Wall of Sound" features a curated selection of conceptual record jacket collages that present visuals inspired by Phil Spector's philosophies on sound mixing.

'Rhys Lee: Good Boy' at Olsen Gruin, New York

Melbourne-based painter Rhys Lee comes from a background of street art. His latest, vibrant oil paintings featuring abstracted graffiti-inspired figures in sumptuous "gelato colors" grace the walls of Olsen Gruin in the current solo exhibition, "Good Boy," on view through November 18.

Soho House DTLA Warehouse to Feature Original Paul Davies Mural

Paul Davies is selected to paint a 17x7 foot mural at the Soho House's new DTLA Warehouse set to open in spring 2019.�

PAINTING DOWN UNDER: ARTIST PAUL DAVIES

Olsen Gruin NY Dale Frank walk through 2018

Walk through of the Dale Frank exhibition at OLSEN GRUIN NY, September 2018.
Footage by Adam Weinberg , DOP

The Watermill Center Celebrates Its 25th Anniversary With TIME BOMB, A Creative Explosion

The Watermill Center held its 25th Annual Gala, TIME BOMB, at its headquarters Saturday night. Presented by Van Cleef & Arpels and honoring the late Pierre Berge, the aptly named evening featured an explosion of creativity. Over 1,000 guests strolled through the site, where the colorful theme, in tribute to Berge and the Jardins Majorelle, abounded.  The evening raised $2.2 million for the center...

 There were exciting works to be had at the silent auction, including recent pieces by Rachel Hovnanian, Leila Jeffreys, Hadieh Shafie, and many more. The live auction featured a trio of Keith Haring prints courtesy of the Tony Shafrazi Foundation, and works by Peter Beard, Nan Goldin, Roy Lichtenstein, Masako Miki, Duke Riley, Tseng Kwong Chi, as well as a Robert Wilson video.

Southampton Welcomes Fine Art Photographer Leila Jeffreys

Ornithologists and art aficionados alike find delight in Leila Jeffreys' winged works.

Conservationist, world traveller and fine art photographer, Leila Jeffreys, grew up in Perth, Australia. She experienced all the boundless travel and exposure to exotic wildlife required for an artist with her particular level of visual acuity. Among the many celebrities, who have taken her under their wing, Jonathan Adler, smartly featured the work of this emerging artist in 20 North American stores in 2010. As both a curator and interior designer, I adore the clean graphic quality of her work, and appreciate the memorable, emotional charge her subjects emit to their viewers. 

Photographer Leila Jeffries Exhibits Exotic Wildlife Works In New Salon Series

“I was walking down 5th Ave one evening and in the window of Bergdorfs was the most magical display of a photographers work with brightly festooned mannequins I had ever seen,” shares Carole Reed. “Searching up the artist immediatley I suddenly found myself obsessed by these bird portraits on Instagram, then they appeared behind the shoulder of Brooke Shields in a recent InStyle shoot, it seemed they were everywhere. As both a curator and interior designer I adore the clean graphic quality of her work while also appreciating the memorable emotional charge her subjects emit to their viewers.”

ART COLLECTOR GLOBAL: Q&A WITH TIM OLSEN

With New York Gallery Olsen Gruin hitting the 18-months open mark, Emily Cones-Browne talks to Australian dealer and co-director Tim Olsen about going international.

Extract:
Olsen Gruin has hit the 18-month mark since opening its first doors. What are some of the winning hallmarks the gallery has experienced during the first 18 months ?
The surprising thing about the New York experience is that I had no idea it was going to happen. It was only because my sister was moving her business that we had the opportunity for a pop-up. What began as an experiment was such a resounding success, it felt as though we had a place in the New York art scene.

Review - Unmasking the portraiture of McLean Edwards

Doug Moran National Portrait Prize judge, Wendy Sharpe, described Tim Storrier's 2017 winning painting of fellow Australian artist McLean Edwards as "an arresting, intriguing image at once both disturbing and playful". Storrier's portrait of his friend in The Lunar Savant (Portrait of McLean Edwards) indeed presents such a contrast.

What to See in New York Art Galleries This Week

Extract: 'Beyond the Veil’

Through July 8. Olsen Gruin, 30 Orchard St., Manhattan; 646-613-7011, olsengruin.com

Who gets to narrate history? Who gets to represent whom? These questions have been roiling the American art world lately, but they are nothing new in Australia — especially in regard to its indigenous population, who faced official efforts to erase their culture well into the 20th century through forced assimilation. Visual art has provided a crucial tool to help redress these erasures, and at this New York outpost of a Sydney gallery, the paintings by five women from central Australia, and one collaborative group, testify to the vibrancy of Aboriginal Australian art and the necessity of speaking for yourself.

The Approval Matrix

The Approval Matrix - Our deliberately oversimplified guide to who falls where on our taste hierarchies...

BRILLIANT - The breathtaking small survey of Aboriginal art "Beyond the Veil" at Olsen Gruin gallery.

Beyond the Veil at Olsen Gruin

So, there is something that holds true in a show like this, which presupposes a different way of looking at society because of the long reach of the West's current obsession with money. Clearly, affluence is not a major interest of the women in this show, who live in the central desert of Australia and who work on paintings that, despite their abstraction, remain close to their lives. This is a different cry by far from the recent dot paintings of Damien Hirst, whose probable appropriation-we are not certain this is true-looks like very much like the theft of a venerable art coming from a culture some 100,000 years old. Hirst's borrowings do tend to look facile in light of the greater gravitas of the indigenous women's works, which can be understood by Western viewers-albeit on a level likely more superficial than the paintings themselves. In any case, the controversy raises real issues about the appropriation of other cultures-a hallmark of Western art practice since the beginnings of modernism, when Picasso made use of African masks for his work Les demoiselles d'Avignon.

BEYOND THE VEIL CURATED BY ADAM KNIGHT
May 16 �?? July 8, 2018
OLSEN GRUIN NY
-Jonathan Goodman

Three Sentence Reviews of Marlene Dumas, Dan Colen, and 11 Other Art-World Big Shots

To coincide with several big art fairs and last week’s massive auctions, many larger galleries mounted shows of their bigger artists. So let’s read the tea leaves on the upper end of the food chain.

Extract:  Beyond the Veil
Curated by Adam Knight
Olsen Gruin

No doubt many of the bigwigs in town for all the art stars, megagalleries and super-auctions, missed maybe the best secret show in New York at the moment, this six-artist exhibition of Australian Aboriginal women painters curated by the president of the Aboriginal Art Association of Australia — a show that gives us a breathtaking small survey of what critic Robert Hughes (who in almost every case except this I disagreed with) called “the last great art movement of the twentieth century.”

Beyond The Veil at Olsen Gruin, New York

Olsen Gruin is currently hosting a group exhibition titled "Beyond The Veil."

Until July 8, 2018, Olsen Gruin will host an exhibition that celebrates Aboriginal Australian artistic practices. �??Beyond the Veil�?� features a group of contemporary Australian artists. It has been made possible by the gallery�??s collaboration with the Aboriginal Art Association of Australia. The group show will be on view at the gallery�??s New York venue.

This group exhibition of Central Desert Paintings has been curated by the President of the Aboriginal Art Association of Australia, Adam Knight. The anticipated show features select works by Emily Kame Kngwarreye, Evelyn Pultara, Gabriella Possum Nungurrayi, Gayla Pwerle, Polly Ngale, and the Women�??s Collaborative comprising Beverly Cameron, Kathy Marinkga, Imitjala Curley, and Tjangili George.

Featured: Untitled 1993 Emily Kame Kngwarreye Synthetic polymer paints on Belgian linen 23.6 x 35 inches (59.9 x 88.9 cm)

Beyond the Veil

Olsen Gruin is pleased to present Beyond the Veil, a group exhibition of Central Desert Paintings curated by the President of the Aboriginal Art Association of Australia, Adam Knight. The anticipated show features select works by Emily Kame Kngwarreye, Evelyn Pultara, Gabriella Possum Nungurrayi, Gayla Pwerle, Polly Ngale, and the Women’s Collaborative comprising Beverly Cameron; Kathy Marinkga, Imitjala Curley, and Tjangili George, and will be on view from May 16 – July 8, 2018.